‘The White Fortress’ Review: Moving Portrait of Doomed First Love in Socially Unequal Sarajevo

There are three white fortresses that neatly demarcate the divides so evocatively drawn in Igor Drljača’s “The White Fortress,” recently named Bosnia and Herzegovina’s submission for the 94th Oscars. There’s the grim, encircling tower block in which scrappy low-level hustler Faruk (Pavle Čemerkić) lives with his grandmother. There’s the modernist dream home perched on a hill that belongs to the wealthy, distant, politically corrupt parents of teenager Mona (Sumeja Dardagan). And there’s the famous late-medieval White Fortress, or Bijela Tabija, the national monument that overlooks Sarajevo, where Faruk and Mona spend a single night of their doomed romance in an… Read Full Article